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I like these photos much better. They accurately portray how dark the darks are. This is a beautiful little 7x9 inch oil study of my favorite watering can full of flowers.
Hi, I’m a painterly painter who paints paintings...with paint. Please excuse the tongue–n-cheek intro but I couldn’t help myself. The word painterly has always cracked me up. What does that mean anyway?
Now don't laugh but I don't ever remember seeing this type of pumpkin any where but in a story book before now. My friends called it a Cinderella Pumpkin and they are beautiful.
Here's my beginning. A wash of Burnt Sienna and then a wipe out of my image. Then I went back in and darkened some areas with more Burnt Sienna.
I begin my darks - Sap Green with some Burnt Sienna. Its always at this stage that I feel like I have no talent what so ever and wonder what ever made me think I could paint. Does that ever happen to anyone else?

Finally my little 6x8 inch painting emerges and I am satisfied...well sort of...I'm one of those painters who can't find a stopping point. I need to hire some one to come in and physically remove me from the studio in order to not "Tickle" a painting to death. Is anyone else like that???
Its funny how I'm never really happy with a piece of work but sometimes I can be happy with bits and pieces. I absolutely love the stem and the that background....
I know, its almost time for the guys in the little white coat to come get me....
Thanks to all of you who have been so patient and encouraging - I love you guys!
The detail are much sharper in the painting.
Normally I photograph my paintings outside in order to get the most accurate picture. But it has rained all day and been too gray. I will wait a couple of days to see if the sun breaks through. If it does I'll try to take a better picture to list this on eBay.
This photo dates back to about 1930 Details of the brushstrokes used to render the church.
So, did I save it? I think so - I love it.
SOLDNow here's a little story....about a year or so I did this painting of the cream pitcher and it was on a horrible brown background and I was so unhappy with the piece that I tossed it in my slush pile and wrote off my effort as "a valuable practice session" - valuable in teaching me what not to do!
Then last weekend I was working on a piece that I needed to let dry and glancing at the clock I knew I didn't have time to really get a decent start on a new piece before we had to leave to meet friends for dinner but I still wanted to paint so I grabbed this little guy out of the slush (more like sludge) pile and decided to repaint the background a darker - richer color to see if there was any hope. Once I did that I liked the painting a whole lot more.
But then I realized my biggest problem was my bad planning when it came to the position of the subject matter. I knew I needed to balance the canvas so I decided to try my hand at a piece of glass - specifically a mason jar just for fun. I loved it - now I could be hooked on glass - hum...glass jars stuck in Chamisa bushes...what do you think? Ha!
It was so much fun and a great exercise. I intend to do more so stay tuned - Cara
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